托妮·莫里森的诗化书写与文化态度  

Toni Morrison’s Poetic Writing and Cultural Attitude

作　　者：胡作友[1] 朱晗 HU Zuoyou;ZHU Han(School of Foreign Studies, Hefei University of Technology, Hefei 230601, China)

机构地区：[1]合肥工业大学外国语学院,合肥230601

出　　处：《河南科技大学学报（社会科学版）》2022年第2期29-35,共7页Journal of Henan University of Science & Technology(Social science)

基　　金：国家社科基金项目(17BYY061)。

摘　　要：学界一直重视非洲传统文化对托妮·莫里森文学创作的影响,却忽略了对其诗化艺术的探究。实际上,莫里森的诗化书写与传统文化紧密交织在一起,难以分辨,其对传统文化的态度也随社会的变化而发生了改变。拨开迷雾就会发现,莫里森的诗化书写在与传统文化的纠缠中经历了从辉煌到黯淡的转变,其书写中透出的个人声音也出现了从认同到反抗再到融合的转向。莫里森个人声音的转向与黑人文学声音的转变相契合,显露出与美国黑人文学高潮同步发展的轨迹。在第三次文学高潮的影响下,莫里森、沃克、胡克斯等作家的个人声音都被纳入民族集体的历史大合唱之中,形成了一种多声部的共鸣。汇聚的“融合”之声,不仅为美国文学和世界文学开辟了新的领域,也为世界文化多元化的探索提供了新的途径。The academic circle has always attached great importance to the influence of African traditional culture on Toni Morrison’s literary creation,but ignored the exploration of her poetic art.In fact,Morrison’s poetic writing is closely intertwined with traditional culture,which is hard to distinguish.Her attitude towards traditional culture also changed with the change of society.It will be found that Morrison’s poetic writing has experienced a change from glory to gloom in the entanglement with traditional culture,and the personal voice in her writing has also changed from recognition to resistance to integration.The turn of Morrison’s personal voice coincides with the change of black literary voice,showing the track of synchronous development with the climax of black American literature.Under the influence of the third literary climax,the individual voices of Toni Morrison,Alice Walker,Bell Blair Hooks and other writers have been included in the historical chorus of the black people,forming a multi-voice resonance.The converging voice of“integration”not only opens up new fields for American literature and world literature,but also provides new ways for the exploration of world cultural diversity.

关 键 词：托妮·莫里森 诗化书写 文化态度 黑人文学高潮 多元化 

分 类 号：I106.4[文学—世界文学]