浅析图像化时代下工笔人物绘画创作方式的转变  

ANALYSIS OF THE TRANSFORMATION OF THE CREATION MODE OF FINE BRUSH FIGURE PAINTING IN THE ERA OF IMAGE

作　　者：马晓招 房钰栋 

机构地区：[1]北京林业大学

出　　处：《包装与设计》2021年第6期132-133,共2页Package & Design

摘　　要：随着摄影、摄像技术的发展,刺激的画面和丰富的空间效果使人们处在一个被图像轰炸的时代,其中以具象为主的工笔人物画也受到了巨大的冲击。自古以来,中国社会就流传着对国画的两种评判——画匠与文人即工笔与写意。工笔画一直面临着画意转变的问题,从摹形到传神,如今又面临着图像时代的挑战。当代工笔人物画不单单是摹形传神,更是要散发出对生命的体悟与反思。本文从新时代写实性工笔画画意的转变及形式语言的创新等角度进行方法论的总结,为之后的创作提供实际操作的基础。With the development of photography and camera technology, stimulating pictures and rich spatial effects make people live in an era bombarded by images. Among them, the figurative portrait paintings have also received a huge impact. Since ancient times, Chinese society has been circulating two kinds of judgments of traditional Chinese painting-painter and literati, namely fine brushwork and freehand brushwork. Fine brush painting has always been faced with the problem of the transformation of the painting style, from the depiction to the vividness, and now it is facing the challenge of the image age. This paper summarizes the methodology from the perspectives of the transformation of realistic fine brush figure painting in the new era and the innovation of formal language to provide a practical basis for subsequent creation.

关 键 词：图像时代 新工笔 

分 类 号：J21[艺术—美术]