五山文学中的和汉唱和、和汉次韵  

The Sino-Japanese Singing with Waka and Sino-Japanese Secondary Rhyme in Gozan Literature

作　　者：张哲俊 ZHANG Zhejun(School of Literature and Journalism,Sichuan University,610207,Chengdu,China)

机构地区：[1]四川大学文学与新闻学院,成都610207

出　　处：《北方工业大学学报》2022年第1期31-39,共9页Journal of North China University of Technology

基　　金：国家社会科学基金重大项目“日本五山文学别集的校注与研究”(15ZDB089)。

摘　　要：五山文学被认为是孤立的日本文学,与日本母语文学没有什么关系。但五山汉诗与中世和歌存在着直接的交流关系,直接交流的方式是和汉唱和。和汉唱和有两种方式:一是以意唱和;二是和汉次韵,这是五山诗人发明的唱和方式。和汉语言不同是阻碍次韵方式的主要障碍,但五山诗人仍然采用了依韵、用韵、次韵的三种方式。尽管与中国文学或汉诗的同类方式存在差异,但也是一种新的尝试。Gozan literature is regarded as isolated Japanese literature,which has nothing to do with Japanese mother tongue literature.However,there is a direct communication relationship between Gozan Chinese poetry and medieval Waka,and the way of direct communication is to sing peace with the Han Dynasty.There are two ways to sing Waka with Han Dynasty:one is to sing Waka with meaning.The second is Waka with the second rhyme of the Han Dynasty,which is the way of singing and Waka invented by Gozan poets.Different from the Chinese language,it is the main obstacle to the way of secondary rhyme,but Gozan poets still use three ways:according to rhyme,using rhyme and secondary rhyme.Although it is different from the similar methods of Chinese literature or Chinese poetry,it is also a new attempt.

关 键 词：五山文学 汉诗 和歌 唱和 

分 类 号：I222.7[文学—中国文学]