《扬名立万》:现实作为超现实的症状  

Be Somebody:Reality As a Symptom of Surrealism

作　　者：安燕[1] An Yan

机构地区：[1]西南大学新闻传媒学院

出　　处：《电影艺术》2022年第1期97-100,共4页Film Art

基　　金：国家社科基金艺术学项目“中国电影思想史(1905—1949)”(批准号:20BC035)阶段性成果。

摘　　要：《扬名立万》是一部后现代风格显著的悬疑喜剧片。标新立异、挑战既定秩序的后现代趣味,使影片呈现出强烈的时尚冲动,并以剧本杀、元电影、反讽、戏仿、挪用、类型互嵌等形式拼盘表现出来。影像内的现实始终在超现实层面运作,其根本模糊性体现为一种"去现实化"的颠倒,但正是出于对现实的过度敏感。超现实既质疑现实,又用想象中的决裂来复制现实。时尚冲动旨在解除一切价值,而暗藏"死亡驱力",但仍然无法放逐"普遍的善"。Be Somebody is a suspenseful comedy of postmodern style.The post-modern interest of being unconventional and challenging the established order makes the film show a strong fashion impulse,which is displayed in the form of script killing,meta-film,irony,parody,appropriation,type interweaving and so on.The reality in the image always operates at the surrealistic level,and its fundamental vagueness is reflected in the inversion of“de-realisticization”,which instead comes from excessive sensitivity to reality.Surrealism questions reality and replicates it with an imagined break.The fashion impulse,which aims to remove all values,hides a“death drive”,but still cannot banish the“universal good”.

关 键 词：《扬名立万》 形式拼盘 时尚冲动 现实 超现实 

分 类 号：J905[艺术—电影电视艺术]