显影、悬置与归化:“孤岛”电影民众心理的取证想象  

Visualization, Suspension and Domestication:Evidential Imagination of People’s Psychology in “Solitary Island” Films

作　　者：陈接峰 Chen Jiefeng

机构地区：[1]安徽师范大学新闻与传播学院

出　　处：《电影艺术》2022年第1期155-160,共6页Film Art

基　　金：国家社科基金艺术学项目“影人年谱与中国电影史研究”(批准号:19BC033)阶段性成果。

摘　　要：将"孤岛"电影作为研究民族电影心理史的一种文献,通过对"孤岛"电影重映次数、电影命名的流行词汇等数据的取证比较,展开对"孤岛"电影显影现实政治、悬置民族悲剧和归化民众意愿的研究,揭示"孤岛"电影在主题、人物形象、影片名称、观众趣味上的内在特征,以此建立电影生产、民众心理与现实政治互动关系之间的关联性。这种关联性能够让隐藏在历史深处的民族习性得以显影,有助于理解处于民族危难之中的民众内心倾向的心理图式。Taking “Solitary Island” film as a kind of literature to study the psychological history of national films, through the evidence collection and comparison of data such as the number of replays in the film market and the popular vocabulary of film naming, this paper carries out the research on the epoche of national tragedy, the domestication of people’s will and the development of real politics of “Solitary Island” film, and reveals the internal characteristics of “Solitary Island” film in theme, character image, film name and audience interest, so as to establish the correlation between film production, people’s psychology and real politics, this relevance can develop the national habits hidden in the depths of history, help to understand the psychological schema of people’s inner tendency in national crisis.

关 键 词：“孤岛”电影 民众意愿 电影心理 取证想象 

分 类 号：J943.13[艺术—电影电视艺术]