历史剧创作与研究需要新的历史剧观——剧作家罗怀臻访谈录  

Creation and Research of Historical Play Calls for A New Concept of Historical Play——An Interview with Luo Huaizhen

作　　者：罗怀臻 夏波[2] Luo Huaizhen;Xia Bo

机构地区：[1]上海市剧本创作中心 [2]中央戏剧学院

出　　处：《戏剧（中央戏剧学院学报）》2022年第1期39-52,共14页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金艺术学重大项目“中国戏曲历史题材创作研究”(项目编号:20ZD23)的阶段性成果。

摘　　要：内容提要:新的时代发展需要新的历史剧观念转型,需要构建具有现代性内涵和审美特征的历史剧观。历史剧创作需要在努力把握历史本质真实过程中表现出历史的多种可能性。反对历史虚无主义,但也反对拿虚无主义的帽子来评价一切。从注重历史剧的当代性发展到注重历史剧的现代性。在"三江汇流"形态和"两创"指导下,创造性创新历史剧理论与创作。This new era calls for concept transformation of historical play where a new concept of historical play with connotation and aesthetic characteristics of modernity is to be established.In the creation of historical plays,it is necessary to explore historical possibilities while showing the real history.Beware of historical nihilism but avoid using it against everything.It’s time to shift our focus from contemporaneity to modernity of historical play and to innovate the theory and works of historical plays under the guidance of "Confluence of three rivers" and "The creative evolution and development of fine traditional Chinese culture".

关 键 词：历史剧观念转型 历史虚无主义 现代性 “三江汇流” “两创” 

分 类 号：J82[艺术—戏剧戏曲]