以舞台表演为核心的文本构建:论富连成社《群英会》的兴盛  

Text Construction Focused on Stage Performance:Fuliancheng Society and the Popularity of Qunyinghui

作　　者：孙萍 李飞杭 Sun Ping;Li Feihang

机构地区：[1]北京外国语大学艺术研究院 [2]北京外国语大学国际新闻与传播学院

出　　处：《戏剧（中央戏剧学院学报）》2022年第1期133-147,共15页Drama:The Journal of the Central Academy of Drama

摘　　要：作为京剧第一科班,富连成社(以下或简称富社)不仅承袭了卢胜奎本《三国志》中《群英会》的系列剧本,而且在双"国丧"期间进行了艰难排演,初步奠定了富社以及《群英会》在京剧历史发展中的重要地位。富社在宫廷、民间等三国戏本的原有基础上,加深了《群英会》人物的表现力、戏剧的冲突等,使其成为京剧舞台上的一出中流砥柱剧目,是富连成社人才培养和表演体系构建的舞台实例。As the most influential Peking Opera school, Fuliancheng Society not only inherited Qunyinghui and many other scripts from Lu Shengkui’s Three Kingdoms, but also rehearsed Qunyinghui during the difficult years of double "national funeral" of Emperor Guangxu and Empress Dowager Cixi. The Society’s hard work paid off, making a name for Fuliancheng and Qunyinghui in the history of Peking Opera. Created based on scripts of Qunyinghui performed in the court and during the period of the Republic of China and soon became a classical play,Fuliancheng’s Qunyinghui features vivid characters and intense conflicts. This is an example of Fuliancheng Society’s contribution to Peking Opera in nurturing talent and establishing performance system.

关 键 词：富连成 《群英会》 剧本 排演 

分 类 号：J82[艺术—戏剧戏曲]