《铁木前传》:“京派”乡土小说的“同调”与“变奏”  

A Story of a Blacksmith and a Carpenter:“The Same Tune”and“Variation”of the Rural Novels of“Beijing School”

作　　者：梁向阳[1] 马晨薇 LIANG Xiang-yang;MA Chen-wei(School of Literature, Yan’an University)

机构地区：[1]延安大学文学院,陕西延安716000

出　　处：《延安大学学报（社会科学版）》2022年第2期100-104,F0003,共6页Journal of Yan'an University (Social Sciences Edition)

摘　　要：对农村风景画的细致描绘以及忧郁、怀旧的情调,使得《铁木前传》在风格上非常接近“乡土小说”。虽然孙犁有延安经历,多次强调自己受鲁迅和“左翼”文学影响,但小说中对待农村、农民的态度与“五四”“左翼”乡土小说存在很大不同,其展现出的特质更接近“京派”乡土小说。这种“接近”不是对“京派”乡土小说原封不动地继承,《铁木前传》中“桃花源”的消失、人物“社会属性”的出现,是孙犁在“同调”基础上进行的“变奏”。For the detailed depiction of rural landscape painting,melancholy and nostalgic sentiments,the style of A Story of a Blacksmith and a Carpenter is very close to the“rural novels”.Although Sun Li had experience in Yan’an,he repeatedly emphasized that he was influenced by Lu Xun and“left-wing”literature,the attitude towards the countryside and peasants in his novels was very different from that of the“May 4 th”rural novels and“left-wing”rural novels.The characteristics shown in his novels are closer to the rural novels of“Beijing School”.But this“similarity”is not an intact inheritance of the rural novels of“Beijing School”.The disappearance of the“Chinese-style utopia”and the display of the“social attributes”of the characters in A Story of a Blacksmith and a Carpenter are the“variations”of Sun Li based on“homology”.

关 键 词：孙犁 《铁木前传》 乡土小说 

分 类 号：I206[文学—中国文学]