论《河岳英灵集》的“雅调”观  

On the View of "Elegant Tune" of He Yue Ying Ling JI

作　　者：王雨晴 WANG Yuqing

机构地区：[1]南开大学文学院,天津300110

出　　处：《重庆第二师范学院学报》2022年第2期51-56,128,共7页Journal of Chongqing University of Education

摘　　要：“雅调”是《河岳英灵集》提出的诗学概念。在盛唐诗学语境中,“雅调”蕴含着丰富的审美要义与批评内涵。在评王维与孟浩然诗时,“雅调”透露出浓厚的体式批评意味。以“以古行律”的体式为界,“雅”与“逸”形成了美学风格的潜在对立。“雅调”观中体式批评指向的介入、对近体规范的尊崇维护,以及“雅”“逸”之间的流通,呈现了融通开放与尚新求变的诗学特征。"Elegant Tune" is a poetic concept put forward in He Yue Ying Ling Ji . In the poetic context of the prosperous Tang Dynasty, "elegant tune" contains rich aesthetic significance and critical connotation. In the comments on WANG Wei and MENG Haoran, "elegant tune" reveals a strong meaning of style criticism. Taking the style of "writing according to ancient poems" as the boundary, "Elegance" and "free" form the potential opposition of aesthetic style. The intervention of style criticism in the view of "elegant tune", the respect and maintenance of metrical poetry norms, and the integration between "elegance" and "free", these present the poetic characteristics of integration, openness and advocation of innovation and change.

关 键 词：殷璠 《河岳英灵集》 雅调 诗学 

分 类 号：I206.2[文学—中国文学]