民国时期书法研究文献的学术史评述  

A Review of Academic History of Calligraphy Research Documents in the Republic of China

作　　者：胡笳[1] 傅荣贤[1] HU Jia;FU Rong-xian(College of Liberal Arts,Yangzhou University,Yangzhou Jiangsu 225000)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《艺术百家》2022年第1期74-79,共6页Hundred Schools In Arts

摘　　要：民国时期是中国书法史上非常重要的时期,随着现代报纸、期刊和印刷的繁盛,产生了大量书法学习、传播、研究的文章和著作。在文言与白话、科学与玄学、实用与艺术、传统与现代争鸣的语境下,这些书法文献显示出与古代迥然不同的面貌。本文从书法演变史、书法理论、书法家、书法学习、书法与政治等几个主题,梳理这些文献并予以简要点评,管窥这一时期书法文献的概貌。The period of the Republic of China was critical in the history of Chinese calligraphy.With the prosperity of modern newspapers,periodicals,and printing,a large number of articles and works on calligraphy was learning,dissemination,and researching it..Considering the confrontation between classical Chinese and vernacular,science and metaphysics,practicality and art,tradition and modernity,these calligraphy documents show a completely different appearance from that of ancient times.This article sorts out these documents from several topics(e.g.,calligraphy evolution history,calligraphy theory,calligraphers,calligraphy learning,calligraphy,and politics),briefly comments on these documents,and provides a general overview of calligraphy literature in this period.

关 键 词：民国书法文献 中国书法史 书法理论 书家评论 

分 类 号：J20[艺术—美术]