《哥本哈根》心理空间网的意义构建  

The Meaning Construction of Mental Spaces in Copenhagen

作　　者：李英[1] LI Ying

机构地区：[1]北京航空航天大学外国语学院

出　　处：《广东外语外贸大学学报》2022年第1期124-135,160,共13页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金重大项目“认知诗学研究与理论版图重构”(20&ZD291)。

摘　　要：当代英国作家迈克尔·弗雷恩在话剧《哥本哈根》中,把文学叙事置于科学和历史语境中,通过灵魂、记忆、换喻和隐喻等审美体验,从认知视角阐释历史的不确定性和道德的相对性。本文从宏观到微观思考了三个问题:为什么重写历史、如何在文学中写历史、历史叙事如何与时代同步,并运用可能世界、心理空间和概念整合三个认知理论,研究伦理旨归、文化认同、人性真相和主体性诉求等文本意义的产生过程。Contemporary American writer Michael Frayn places literary narratives in scientific and historical contexts,and explains the uncertainty of history and the relativity of morality from a cognitive perspective through the aesthetic experience of uncertainty,such as soul,memory,metonymy,and metaphor in Copenhagen. The play considers three questions from macro to micro: why do people rewrite history? How to write history in literature and keep pace with the times? This paper investigates how ethics,cultural identity,the light of reason,and aspirations of the subject are delivered through three cognitive methods of possible worlds,mental spaces,and conceptual integration.

关 键 词：迈克尔·弗雷恩 《哥本哈根》 认知诗学 心理空间 概念合成 

分 类 号：I561.065[文学—其他各国文学]