永儒布艺术创作中的器艺特征和审美情结  

Instrumental Music and Art Characteristics and Aesthetic Complex In Yungrub’s Artistic Creation

作　　者：何一波 宋生贵[1] HE Yi-bo;SONG Sheng-gui(School of Ethnology and Sociology,Inner Mongolia University,Hohhot 010021,China;School of Art and Design,Nanchang University,Nanchang 330031,China)

机构地区：[1]内蒙古大学民族学与社会学学院,呼和浩特010021 [2]南昌大学艺术与设计学院,南昌330031

出　　处：《科学技术哲学研究》2022年第2期105-109,共5页Studies in Philosophy of Science and Technology

摘　　要：民族音乐是永儒布艺术创作的根基。潮尔、马头琴及蒙古族民歌,是永儒布交响乐的主要创作源泉。他的交响乐作品体现出丰厚的民族风格底蕴,具有史诗性和哲理性的审美本质。尊崇自然、敬畏生命和爱恋家园,既是永儒布交响乐作品的核心内容,也是其交响乐作品所体现的典型的审美情结。向民族文化传统寻根,创作立意与民族传统紧密相连,是永儒布交响乐创作中的基本遵循。National music is the foundation of Yungrub’s artistic creation.Choir,Morin Khuur and Mongolian folk songs are the main sources of Yungrub’s symphony works.His symphonic works reflect abundant national style,expressing historical and philosophical aesthetic essence.Reverence for nature,respect for life and love for home are not only the core content but also the typical aesthetic complex of Yungrub’s symphonic works.It is the basic principle of Yungrub’s symphonic creation to seek the roots of the national cultural tradition and closely link the creation idea with the national tradition.

关 键 词：永儒布 艺术创作 器艺特征 审美情结 

分 类 号：N03[自然科学总论—科学技术哲学]