江户后期歌人对中国古典诗歌的摄取与接受——以橘曙览的和歌为例  

The Absorption and Acceptance of Chinese Classical Poetry by the Japanese Poets in the Late Edo Period: a Case Study of Waka of Tachibana Akemi

作　　者：王晓瑞 WANG Xiaorui(School of Foreign languages,Huzhou University,Huzhou 313000,China)

机构地区：[1]湖州师范学院外国语学院,浙江湖州313000

出　　处：《湖州师范学院学报》2022年第3期60-65,共6页Journal of Huzhou University

基　　金：湖州师范学院2018年度人文社科项目“江户后期诗歌中蒋士铨诗作的影响研究”(2018XJWK07)部分成果。

摘　　要：江户时代后期,随着汉文学在日本全国的流行和发展,歌人在创作过程中对中国古典诗歌的摄取与接受从形式到内容都发生了很大变化。橘曙览为江户后期代表性歌人,其对中国古典诗文的摄取与接受主要包含两个方面:一是基于典故内容进行创作,一是改编典故内容进行创作。从橘曙览和歌入手,可以探究江户后期歌人对中国古典诗歌摄取与接受的具体样态。In the late Edo period, with the popularity and development of Chinese literature throughout Japan, the absorption of Chinese classical poetry in the creations of Japanese poets underwent great changes in form and content. This paper focuses on Tachibana Akemi’s waka in the late Edo period to make an in-depth study on the allusion-based creation and adaptation so as to explore the acceptance of Chinese classical poetry in Waka in the late Edo period.

关 键 词：江户后期和歌 橘曙览 汉诗文摄取 

分 类 号：I313.41[文学—其他各国文学]