阳羡词派接受“稼轩风”的词史契机与多元观照  

The Historical Opportunity and Diverse Perspectives on the Acceptance of the “Jiaxuan Style” by the Yangxian School

作　　者：支小蓉 杨许波[1] ZHI Xiaorong;YANG Xubo(School of Humanities,Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《湖州师范学院学报》2022年第3期66-71,共6页Journal of Huzhou University

摘　　要：阳羡词派作为清代词坛上不容忽视的一脉,以“稼轩风”为楷模,给清初词坛带来了新的活力。通过观照辛弃疾与阳羡词派的词学思想,可以发现阳羡词派在理论与实践中对“稼轩风”的承继,这种承继离不开明末清初风诡云谲的社会气息以及词体亟须革新等诸多因素的加持。值得注意的是,阳羡词派与“稼轩风”的双向互动不仅促使阳羡词派形成了别具一格的词学风格,也在一定程度上促进了“稼轩风”在清初词坛的传播,甚至对清初词风的建构也起到了积极的引导作用。As a lineage that should not be overlooked in the Qing Dynasty, the Yangxian school of lyricism, with the “Jiaxuan style” as a model, brought new vitality to the lyric scene in the early Qing Dynasty. By observing the Song lyrics thought of Xin Qiji and the Yangxian school, this paper finds that the Yangxian school inherited the “Jiaxuan style” in theory and practice, and this inheritance could not be separated from the treacherous social atmosphere of the late Ming and early Qing Dynasties, as well as such reasons as the decay of the lexical style and the urgent need for innovation. It is noteworthy that the two-way interaction between the Yangxian school and the “Jiaxuan style” not only contributed to the formation of the Yangxian school as a distinctive lexicographic style, but also presented to a certain extent the spread of the “Jiaxuan style” and even played an active role in guiding the construction of lyric style in the early Qing Dynasty.

关 键 词：阳羡词派 “稼轩风” 接受 

分 类 号：I206.2[文学—中国文学]