五句体民歌曲辞结构与叙事逻辑  

The structure and narrative logic of five-sentence folk songs

作　　者：李晓婷 Li Xiaoting(Anhui University of Arts,Anhui Hefei 230011)

机构地区：[1]安徽艺术学院,安徽合肥230011

出　　处：《内蒙古艺术学院学报》2022年第1期110-116,共7页Journal of Inner Mongolia Arts University

基　　金：作者主持的教育部人文社会科学研究青年基金项目“长江流域五句体民歌曲辞结构及转换方式研究”(项目编号:18YJC760041)阶段性成果;安徽省高校优秀青年人才支持计划项目(项目编号:gxyg2017116)阶段性成果。

摘　　要：五句体古歌包括三言、四言、五言、六言、七言等多种体式。随着诗体变迁,当代民间传唱的五句体以七言为主,偶见杂言。曲辞包括“偶句相成”、“三句一节”、“单句”三个基本结构单元所构成的“二二一”、“二一二”、“二三”、“三二”、“一一一一一”等至少五种结构。不同结构内含独特的叙事逻辑,或侧重纪事或以事明理,将“事件”与“事境”完美呈现。奇偶相成的五句体不仅使句子之间的逻辑关系变得多样,而且形成既对称又错落的形式美。Five-sentence ancient songs include three words,four words,five words,six words,seven words and other ways of expression.With the change of poetic style,the five-sentence style of contemporary folk singing is dominated by seven words,occasionally seen miscellaneous words.Quci includes at least five structures,including"two two one","two one two","two three","three two"and"one one one one one",which are composed of three basic structural units:"Antithesis sentences complement each other","three sentences and one section"and"single sentence".Different structures contain unique narrative logic,or focus on the record of events or understanding to things,the"event"and"situation"perfectly present.The odd and even form of the five sentences not only makes the logical relationship between the sentences become diverse,but also forms symmetrical and scattered formal beauty.

关 键 词：五句体 民歌 曲辞结构 叙事逻辑 

分 类 号：J642.2[艺术—音乐]