风景园林视野下的中国传统山水诗画时空观浅析  

A Brief Analysis of Space-time View of Traditional Chinese Landscape Poetry and Painting from the Perspective of Landscape Architecture

作　　者：王思又 高伟 WANG Siyou;GAO Wei(College of Forestry and Landscape Architecture,South China Agricultural University,Guangzhou,Guangdong,China,510000)

机构地区：[1]华南农业大学林学与风景园林学院,广州510000

出　　处：《园林》2022年第4期88-93,共6页Landscape Architecture Academic Journal

摘　　要：由中国传统山水诗画艺术中窥见山水、城、人三者关系的演变史——中国古人从求生存到追求诗意的栖居,逐渐形成了“时空一体,物我交融”“循环往复,大小相与”的传统时空观,其中蕴含了自然时空与心理时空的交流与融合,体现了与西方风景艺术截然不同的东方性。文章在梳理中国传统山水诗画艺术中有关时空观的观点基础上,尝试理解时空观照的不同境界,进一步思考在风景园林工作中,是否能够以时空为介,打破人与所处环境之间的“隔”,营造“有我之境”,引导“无我之境”,探索重回中国传统文化语境中进行风景园林设计的理论依据。The evolution history of the relationship among landscape,city and people can be seen in the traditional Chinese landscape poetry and painting art.From the pursuit of survival to the pursuit of poetic habitation,the ancient Chinese gradually formed the traditional space-time view,which is“the integration of space and time,the blending of things and me”and“move in circles,interchange big and small”,which contains the communication and fusion of natural space and time and psychological space and time.It reflects the orientalism of landscape art which is totally different from western.On the basis of combing the space-time view in Chinese traditional landscape poetry and painting,this paper tries to understand the different view of space-time realms,and further considers whether in the work of landscape architecture,time and space can be used as a medium to break the“gap”between people and their environment,create“the self-realm”,and lead to“the selfless realm”,furthermore,to explore the theoretical basis of landscape architecture design in the context of Chinese traditional culture.

关 键 词：中国传统山水诗画 时空观 山水意境 

分 类 号：TU986[建筑科学—城市规划与设计]