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作 者:张政法[1] ZHANG Zheng-fa
机构地区:[1]中国传媒大学人文学院
出 处:《天津外国语大学学报》2022年第2期19-24,110,111,共8页Journal of Tianjin Foreign Studies University
摘 要:结合《辞海》(第七版)有声创作的实际经验,采用音步分析的手段,对二字、三字、四字、五字词目的节律处理进行了细化描写,研究提出二字词目是基础,三字及以上词目最终都会切分到1和2及其组合;二字词目节律表达应兼顾轻重格式与语义内容,并将其放在语义场中作细微区分;三字及以上词目的节律解析与处理,应重视词或词组的构成方式,明确其中心成分,进而确定节律关系,还要兼顾表意需要,加以细化区别,才能准确表达。Based on the actual practice of audio creation in CIHAI(seventh edition), this paper makes detailed description by phonological analysis on the rhythm processing of the entry with 2~5 characters, and proposes that major entries are consisted of 2 characters, those entries with 3 or above characters would finally be cut into 1 and/or 2 characters;the rhythm expression of the entries with 2 characters should take both the accent and semantic content into account, and makes subtle distinction by the help of the semantic field;the rhythm analysis and expression of the entries with 3 or above characters should attach importance to the construction rule of word or phrase, clarifying its central components, determining the rhythmic relationship, ensuring the semantic accuracy, and clearing the subtle distinction so as to ensure accurate expression.
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