从新旧版《陆游与唐琬》看“诗化越剧”舞台美学的发展  

On the Development of Stage Aesthetics of “Poetic Yue Opera” from the Old and New Version of Lu You and Tang Wan

作　　者：杨斯奕 YANG Siyi

机构地区：[1]上海戏剧学院,杭州310053 [2]浙江艺术职业学院,杭州310053

出　　处：《浙江艺术职业学院学报》2021年第4期27-33,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：2019年度浙江文化艺术发展基金文学评论资助项目“浙江越剧现代戏评述”阶段性成果;2020年度浙江艺术职业学院民间文艺主题研究项目“杨小青口述传艺录”阶段性成果。

摘　　要：2003年浙江小百花越剧团的越剧《陆游与唐琬》是首届“国家舞台艺术精品工程”的经典剧目,也是至今唯一入选该项工程的越剧剧目。该剧代表了新时期越剧艺术改革的成就并充分体现了其创作团队“诗化越剧”美学追求。为使整部作品更加符合当代观众的审美观念,新版《陆游与唐琬》在旧版的基础上进行了简化故事、突出诗意等多方面的修改,在立意上深入挖掘人文内涵,同时在编、导、演、音、美等各方面都注重汲取中国古典戏曲美学精华,实现了“诗化越剧”舞台美学从外化到内化的发展、提升。Yue Opera Lu You and Tang Wan( 2003) by Zhejiang Xiaobaihua Yue Opera Troupe was a classic of the first “National Stage Art High-quality Products Project”,and the only Yue Opera product selected by this project so far. It represents the achievements of artistic reform of Yue Opera in the newperiod,and fully presented aesthetic pursuit of“poetic Yue Opera”by its production team. In order to make the whole work more in line with the contemporary audience’s aesthetic idea,the new production of Lu You and Tang Wan has been modified in many aspects by simplifying the story and highlighting the poetry. Not only dig deep cultural connotation in the conception,but also pay attention to absorbing essence of Xiqu aesthetics by adapting,directing,acting,composing and setting,and then achieved the development and promotion of the stage aesthetics of“poetic Yue Opera”from externalization to internalization.

关 键 词：《陆游与唐琬》 “诗化越剧” 舞台美学 

分 类 号：J812[艺术—戏剧戏曲]