《髹饰录》学术源流与前沿动向  

Origin and Frontier Trend of the Research on Xiushilu

作　　者：何振纪[1] HE Zhenji

机构地区：[1]中国美术学院,杭州310024

出　　处：《浙江艺术职业学院学报》2021年第4期34-39,共6页Journal of Zhejiang Vocational Academy of Art

基　　金：全国高校古委会直接资助项目(编号:1660)研究成果;浙江省哲学社会科学领军人才青年英才培育专项重大课题(课题编号:21QNYC08ZD)阶段性成果。

摘　　要：明代的《髹饰录》是中国古代流传至今唯一一部专门的漆艺文献,由于迄今所见只有该书的手抄本保留于日本,因而使得日本学者率先开展了对该书的研究。此书在日本的研究最初被视作一部漆艺指导书籍来看待,后又随着该书在20世纪20年代中期传回中国而拉开了中国学者研究该书的序幕。从该书的流传及研究情况走过了近百年时间,中外学者所开展的相关研究主要立足于工艺技术、工艺美术史、艺术文献学三个方面来展开。在进入21世纪以来,从近年不断迭出的《髹饰录》研究成果可见,当前的相关研究正呈现出一种综合化、跨学科的趋势。除此以外,有关《髹饰录》研究在资料考证以及研究范畴的扩展与其他工艺文献的比较及联系等方面也出现了较大的进步,正展现出一种内外相通、兼容并包的研究取向。As an instructional record of lacquering,the research on Xiushilu from Ming period of China first appeared in the Japan,while by comparison,Chinese research on Xiushilu first appeared in the early of 1920s. Through sorting out the reference materials,it can be found that Chinese and overseas scholars have done in-depth researches on Xiushilu in three aspects,involving lacquer craft practice,art and craft history and philology study. Their findings can be summed up as a synthesis trend in the last hundred years. However at the same time,their researches are still insufficient in data research,range expansion,and confirmation with other relevant art and craft literature. The research on Xiushilu should continue to develop and deepen these various research areas in the future.

关 键 词：《髹饰录》 源流 前沿 动向 

分 类 号：J527[艺术—艺术设计]