也谈海盐腔有无管弦伴奏——从《金瓶梅词话》中的戏曲史料说起  

Whether There is Orchestral Accompaniment in Haiyan Tune——Starting from the Historical Materials of Opera in Jin Ping Mei Ci Hua

作　　者：肖阳 赵兴勤 XIAO Yang;ZHAO Xingqin

机构地区：[1]徐州幼儿师范高等专科学校 [2]江苏师范大学文学院,徐州221004

出　　处：《浙江艺术职业学院学报》2021年第4期51-55,62,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：《金瓶梅词话》所载述的戏曲史料中,有多处叙及早期南戏声腔海盐腔戏文演出状况。然学者在对这些史料的诠释上,观点时相抵牾。比较有代表性的,有周贻白、叶德均两家。周主海盐腔有管弦伴奏,叶主海盐腔是“无伴奏的干唱”。综合分析两家观点形成的依据,周氏所得结论比较中肯。海盐腔既吸取北曲格范,当亦有管弦乐伴奏。In the historical materials of operas recorded in Jin Ping Mei Ci Hua,there are many places to describe the performance of Haiyan opera in the early southern opera. However,some scholars often have contradictory views on the interpretation of these historical materials. The more representative views are those of Zhou Yibai and Ye Dejun. Zhou thought that Haiyan tune had orchestral accompaniment,but Ye thought that the Haiyan tune was“ singing without accompaniment”. This paper comprehensively analyzes the basis for the formation of the views of the two scholars and believes that the conclusion drawn by Zhou is more pertinent. Since Haiyan tune has absorbed the style of Beiqu opera,it should be accompanied by orchestral music.

关 键 词：海盐腔 管弦伴奏 《金瓶梅词话》 戏曲史料 

分 类 号：J809[艺术—戏剧戏曲]