纳博科夫戏剧和小说的互文性研究——以亨伯特和洛丽塔人物形象为讨论中心  

Research on Intertextuality of Nabokov’s Dramas and Novels——Focus on the Characters of Humbert and Lolita

作　　者：任文贤[1] REN Wenxian

机构地区：[1]中国人民大学,北京100871

出　　处：《浙江艺术职业学院学报》2021年第4期56-62,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：中国人民大学研究生科学研究基金项目资助;(项目编号:16XNH110)。

摘　　要：在戏剧和小说中,纳博科夫以古希腊神话人物“代达罗斯”和“宁芙”为原型塑造了一系列的“亨伯特”式的人物和“洛丽塔”形象,开启了神话的另一种言说方式。纳氏对“代达罗斯”的身份、流亡、谋杀、迷宫艺术的杂糅再现处理,使不同文体文本的主题意义相互指涉;同时,又借用“宁芙”一词的含混多义,在昆虫学和神话学方面对其形象进行现代化改造,突出其“性感少女”形象、变态、情欲主题,借此建构文本之间的隐喻关系,从而使戏剧和小说构成“一个”整体的互文文本。在神话诗学视域中对其文本中的互文对话关系进行重新阐释,以此突破国内学界对纳博科夫研究的孤立、静态化地批评模式,也借此在更大范围内地去探讨戏剧的艺术价值,以引起学界对其戏剧创作的批评和接受。In Nabokov’s dramas and novels,he created a series of “Herbert”and “Lolita”according to archetypal characters of “Daedalus”and “nymphs”. Therefore,he begins an alternative expression of myths. Nabokov’s deal with the hybridity of the identity,exile,murder and artful labyrinth,which makes different texts mutual referential;Meantime,he borrowed multiplicity of the word“Nymph”,innovate modernly the figure from mythology and insectology,in order to emphasize his themes of “sexual girl”,abnormality and desire,constructing the metaphorical relationship between texts. Therefore,there builds an intertextually dialogic relationship between his plays and novels.This paper illustrates this dialogic relationship,breaks the isolate and static pattern about Nabokov studies. It attempts to study the artful value of his drama,in order to attract the reception and criticism in the academic world.

关 键 词：代达罗斯 宁芙 戏剧 小说 互文性 

分 类 号：J80-05[艺术—戏剧戏曲]