湖南省博物馆藏舞蹈人物青铜俑身份与功能  

Identity and Function of the Bronze Figurine Holding Lotus of Hunan Museum

作　　者：邹钰 ZOU Yu

机构地区：[1]首都师范大学历史学院,北京100089

出　　处：《浙江艺术职业学院学报》2021年第4期109-116,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：通过对湖南省博物馆藏舞蹈人物俑的造型风格、造像基本构成要素分析,认为人物俑的身份与佛教文化有直接关联。将魏晋南北朝之际,长江中下游文化融合背景下与成都平原一带相近的图像样式比较,认为人物俑造型直接来源可能是汉朝胡人持莲俑。并对东晋南朝流行的佛教思想梳理,在此基础上对人物俑的功能提出新的猜想,认为在甬道处的人物俑手持莲花意在引导墓主往生净土。This paper analyzes of the pattern and the basic elements of the Bronze figurine in Hunan Museum. It is considered that identity is related to Buddhist culture. First,comparing the image styles similar to those in the Chengdu Plain,the source of this pattern is the Han Dynasty. Then,this paper search for Buddhist beliefs in historical materials of the Eastern Jin and Southern Dynasties. Finally,this paper puts forward a new point on the function of the bronze figurine. The bronze figurine holding lotus in the corridor is to guide the tomb owner to the pure land.

关 键 词：津市东晋墓 胡人持莲 引魂 往生净土 

分 类 号：K879[历史地理—考古学及博物馆学]