“秀麿文”中森鸥外的“现代性”反思  

The “Modernity” Reflection of Ogai Mori in “hidemaromono”

作　　者：吴丹 Wu Dan

机构地区：[1]吉林大学外国语学院,吉林长春130012

出　　处：《河南大学学报（社会科学版）》2022年第2期90-95,154,155,共8页Journal of Henan University(Social Sciences）

摘　　要：“秀麿文”是森鸥外在南北朝正闺论争的触发下创作的以五条秀麿为主人公的系列思想小说。森鸥外基于实证历史主义立场从科学理性、机制保障、统治技术三个维度对日本近代天皇制国家神话的虚构性进行了揭露。同时森鸥外预见到实证历史主义可能引致权威的丧失、伦理精神的肢解,试图通过理性信仰的方式构建起一个合理的精神秩序来解决天皇制国家内含的巨大悖论:国家神话与近代科学理性之间的龃龉。但是,其提出的“仿佛”哲学、欧肯哲学都因不具备现实可行性而无疾而终。最终,在日本的现实面前森鸥外偏向了维护天皇制国家统治秩序的保守主义。“Hidemaromono”is a series of ideological novels with hidemaro as the leading character,created by Ogai Mori in the cultivation of arguments about boudoir in the Northern and Southern dynasties.Based on the position of positive historicism,Ogai Mori conducts full exposition about the fiction of the modern Japanese Mikado state from three dimensions as scientific rationality,mechanism guarantee,and ruling technology.At the same time,Ogai Mori predicts that the positive historicism may cause the loss of authority and the breakdown of ethical spirit,and tries to build a reasonable spirit order through rational belief to solve the huge paradox contained in the Mikado state:the disagreement between nation fiction and modern scientific rationality.However,the“Die Philosophie des Als Ob”philosophy and Rudolf Eucken’s philosophy brought up by him died all due to no practical feasibility.Finally,in the front of Japanese reality,Ogai Mori selects the conservatism to follow ruling orders of Mikado state.

关 键 词：国家神话 “秀麿文” 理性信仰 现代性 

分 类 号：I109.3[文学—世界文学]