敦煌壁画中的吐蕃乐舞元素考论——以翻领袍服的长袖舞为中心  

A Research on Tubo Music and Dance Elements in Dunhuang Frescoes——Based on Long-sleeved Dance in Lapel Gowns

作　　者：汪雪 Wang Xue

机构地区：[1]兰州大学敦煌学研究所,甘肃兰州730000

出　　处：《青海民族大学学报（社会科学版）》2022年第1期179-188,共10页Journal of Qinghai Minzu University：Social Sciences

摘　　要：青海地区吐蕃统治时期墓葬出土的棺板画中,绘制有身着翻领袍服的长袖舞图像,这一舞蹈是具有标识性的吐蕃舞蹈种类,在苯教丧仪中,具有“降魂”的巫舞功能。敦煌壁画中的这类舞蹈具有将逝者灵魂召回,超荐往生极乐世界的宗教意义,其本质是佛教往生思想与苯教救赎思想的结合。翻领袍服的长袖舞在敦煌地区的发展衍变呈现出两种主要趋势,一是承袭其服制,但袍服穿法变革为袒右式,是当代藏族民间舞的前身;二是承袭其“降魂”功能,穿着圆领长袖舞服,成为民间丧仪中的引魂巫舞。As one of the most noticeable Tubo dances,the long-sleeved dance in a lapel gown in the Tubo coffin paintings discovered in Qinghai during the Tubo period serves for"recalling souls in funeral ceremonies of Bon Religion.These dance images in Dunhuang frescoes play a significant role in recalling the souls of the dead and sending them to nirvana,which is essentially a combination of Buddhist rebirth and Bon salvation.There are two trends in the development of lapel long-sleeved dance in Dunhuang.First,dress codes remain unchanged,but dancing costumes with naked right shoulder are accepted.Such dance represents the predecessor of contemporary Tibetan folk dance.Second,the function of"recalling souls"is inherited,but witch dancers wear long-sleeved costumes with round neck in funeral ceremonies.

关 键 词：苯教 敦煌 翻领 长袖舞 

分 类 号：J222[艺术—美术]