韩孟诗派的崇骚倾向  

The Tendency of Advocating Qu Sao in Han Meng Poetry School

作　　者：郭江波 GUO Jiang-bo(College of Literature,Shaanxi Normal University,Xi’an 710199,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《佳木斯大学社会科学学报》2022年第2期118-121,共4页Journal of Social Science of Jiamusi University

摘　　要：屈原不满自己忠而被谤,以写诗作赋泄愤抒情。韩孟诗派诗人也因坎坷的遭遇形成激愤不平的心态,屈原发愤抒情的创作思想为他们提供理论基础,骚体长于抒情的特点为他们提供写作范式。因此,在韩孟诗派作家的诗作中处处显现着学习屈骚的痕迹,表现在情感抒发、生命意识和创作心理矛盾三个方面。韩孟诗派对屈骚的接受不仅展现出文学革新的精神,同时透露出唐诗审美风尚的转变,且开拓出融文学抒情传统与时代精神为一体的新天地。Dissatisfied with his loyalty,QU Yuan was slandered and expressed his anger by writing poems.The poets of Han Meng Poetry School also formed an angry and uneven state of mind because of their rough experiences.QU Yuan's angry and lyric creative thought provided them with a theoretical basis,and the characteristics of Sao style being good at lyricism provided them with a writing paradigm.Therefore,there are traces of learning Qu Sao everywhere in the poems of Han Meng poets,which are manifested in three aspects:emotional expression,life consciousness and creative psychological contradiction.Han Meng Poetry School acceptance of Qu Sao not only showed the spirit of literary innovation,but also revealed the transformation of the aesthetic trend of Tang poetry,and opened up a new world integrating literary Lyric Tradition and the spirit of the times.

关 键 词：韩孟诗派 崇骚 原因 表现 价值 

分 类 号：I206.2[文学—中国文学]