论《白光》与中国古代小说的关系  

The Relationship Between White Light and Ancient Chinese Novels

作　　者：陈艺璇 CHEN Yixuan(School of Humanities,Shanghai Jiao Tong University,Shanghai 200240)

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《绍兴文理学院学报》2022年第3期71-78,共8页Journal of Shaoxing University

基　　金：国家社科基金重点项目“鲁迅原创词汇综合研究与词典编纂”(20AZW021)。

摘　　要：鲁迅的小说《白光》在创作题材和叙事手法等方面,继承并发展了中国古代小说的创作传统。陈士成这一因科举致疯的人物形象,作为小说主线的掘藏情节以及小说结尾的浮尸公案,均能在古代小说中找到来源。《白光》还运用了《儒林外史》的叙事模式和白描手法,对“志怪”的偏好则反映出鲁迅与乾嘉知识分子具有相似的创作心理。同时,《白光》对叙事题材的重新组合,叙述者全知叙事能力的丧失,也赋予了小说传统以新的生命,表达了新的创作思想。Lu Xun’s novel White Light inherits and develops the writing tradition of ancient Chinese novels in the aspects of writing subject matter and narrative technique.All this can be found in ancient novels:the character Chen Shicheng who becomes mad due to the imperial examination,the plot of excavation as the main line of the novel,and the floating body case at the end of the novel.White Light also adopts the narrative mode and description technique of The Scholars;the preference of“Zhi Guai”reflects that Lu Xun and the intellectuals in the reigns of Emperor Qianlong and Jiaqing share the similar writing mentality.At the same time,the recombination of narrative themes in White Light and the loss of the narrator’s all-knowing narrative ability also endow the novel tradition with a new life,thus illustrating new writing ideas.

关 键 词：鲁迅小说 《白光》 古代小说 志怪 公案 

分 类 号：I207.4[文学—中国文学]