时代变迁中浦城“剪花人”的文化自觉与文化实践  

The Cultural Consciousness and Practice of“Paper-cutting craftswomen”in Pucheng in the Changing Times

作　　者：田丹 TIAN Dan(School of Art,Wuyi University,Wuyishan,Fujian 354300)

机构地区：[1]武夷学院艺术学院,福建武夷山354300

出　　处：《武夷学院学报》2022年第1期6-11,共6页Journal of Wuyi University

基　　金：2020年教育部人文社会科学研究规划基金项目(20YJAZH095);武夷学院马工程项目(MGC201907Z);福建省一流课程《闽北民间美术》(SJKC20201209)。

摘　　要：在农耕社会向现代社会发展变迁的进程中,中国民间剪纸从单纯的民俗用品发展为兼具民俗、文化、艺术、经济等多种功能。国家级非遗——“浦城剪纸”的传承人也在文化理念和艺术观念方面逐步走向自觉,在艺术行为、艺术实践方面逐步开放、灵活,不断调适传承与创新、文化与商业、艺术与生活的关系,反映出当代传统手工技艺传承人和从业者的文化担当与创新精神。在宏观的社会语境下,从历时性的角度梳理该群体的文化理念与文化行为,透视其与社会变迁的关系,以探索传统民间手工艺在社会转型中的传承与发展路径。In the process of change from agrarian society to modern society,Chinese folk paper-cutting has developed from a mere folkloric object to a variety of functions such as folklore,culture,art and economy.The inheritors of“Pucheng paper-cutting”have gradually become self-aware of their cultural philosophy and artistic concepts,and more open and flexible in their artistic behaviors and practices,constantly adjusting the relationship between inheritance and innovation,culture and commerce,art and life,reflecting the cultural commitment and innovative spirit of contemporary inheritors and practitioners of traditional handicraft skills.In the macro-social context,this paper looks at the cultural concepts and behaviors of this group from a diachronic perspective and examines their relationship with social change to explore the path of inheritance and development of traditional folk handicrafts in the social transformation.

关 键 词：时代变迁 浦城剪纸 文化自觉 文化行为 

分 类 号：J528[艺术—艺术设计]