论《燕岩集》的“序跋”创作及朴趾源的文学观  

On the Preface and Postscript of Yan Yan Collection and PIAO Zhiyuan′s Literary View

作　　者：张丽娜 ZHANG Lina(School of Humanities and Social Science, Luoyang Institute of Science and Technology, Luoyang 471023, China)

机构地区：[1]洛阳理工学院人文与社会科学学院,河南洛阳471023

出　　处：《洛阳理工学院学报（社会科学版）》2022年第2期81-88,共8页Journal of Luoyang Institute of Science and Technology：Social Science Edition

基　　金：河南省教育厅软科学项目“《朝鲜汉籍〈燕岩集〉整理研究》”(编号:152400410539);河南省教育厅人文社会科学研究项目“《朝鲜汉籍〈燕岩集〉研究》”(编号:2017-ZDJH-144)阶段性成果.

摘　　要：《燕岩集》是18世纪朝鲜著名实学家和文学巨匠朴趾源的著作汇编,堪称朝鲜汉籍中的经典。“序跋”类散文在《燕岩集》中比重很大。《燕岩集》中的序跋文渗透着朴趾源及朝鲜实学派的北学精神,并涉及文学与自然、时代的关系、内容和形式的关系、继承和革新关系、文学批评理念和方法等文论命题。“序跋”类散文立论坦率中肯,行文不拘体例,语言精警凝练,饱含着实学精神和文论价值,其丰富的内蕴可作为今人窥探朝鲜李朝文学世界的窗牖,也反映出中华文化对东亚文学的深远影响。Yan Yan Collection is a collection of works by Park Ji-won,a famous Korean scholar and literary master in the 18th century,which can be called a classic in Korean Chinese books.Preface and postscript proses account for a large proportion in Yan Yan Collection.The prefaces and postscripts in Yan Yan Collection are permeated with the spirit of North Studies of Park Ji-won and Korean practical school,and involve literary theory propositions such as the relationship between literature and nature,times,content and form,inheritance and innovation,and literary criticism ideas and methods.The prose of preface and postscript is frank and pertinent in argument,informal in style,concise in language,full of practical spirit and literary value.Its rich connotations can be used as a window for people to spy on the literary world of LI Dynasty in Korea,and also reflects the far-reaching influence of Chinese culture on East Asian literature.

关 键 词：《燕岩集》 朴趾源 序跋 北学精神 文学观念 

分 类 号：I109.4[文学—世界文学]