视知觉语义下的“国潮”动画美学研究  

The Study on"China Chic"Animation Aesthetics based on Visual Perception Theory

作　　者：黄恩武 Huang Enwu(School of Design,Fujian University of Technology,Fuzhou 350118,China;Faculty of Innovation and Design,City University of Macao,Macao 999078,China;Laser Precision Machining Tech no logy Research Center of Fujian Province,Putian 351100,China)

机构地区：[1]福建工程学院设计学院,福州350118 [2]澳门城市大学创新设计学院,中国澳门999078 [3]福建省激光精密加工工程技术研究中心,福建莆田351100

出　　处：《艺术与设计（理论版）》2022年第4期122-124,共3页Art and Design

基　　金：福建省十三五教育规划"3D打印在数字’双创'人才培养中的应用研究"(FJJKCG19-322),福建地方文献整理研究中心阶段性成果。

摘　　要：动画作为视觉艺术的重要表现形式之一,其视知觉审美体验可分为形而下的感官视觉美学体验和形而上的心理视觉美学体验。前者注重动画艺术的外在美学体验,后者则注重文化或精神上的美学感知,更是前者的升华。“国潮”动画是我国传统文化与现当代前卫设计的融合的新形态,是“中国动画学派”的延续与革新。因此,通过视知觉理论深入分析“国潮”动画的美学特征及精神内涵,有助于为后续的国漫创作和发展提供新的探索路径。Animation is a vital form of visual art, whose visual aesthetic experience consists of physical and psychological aesthetic experience. The former one refers to the sensory aesthetic experience, which is non-metaphysical while latter one refers to the cultural or spiritual aesthetic experience, which is metaphysical. Therefore, by analyzing “China Chic” animations based on visual perception theory, this paper aims to provide enlightenment to the development of national animation industry in the future.

关 键 词：动画美学 中国动画学派 国潮 视知觉 

分 类 号：J218.7[艺术—美术] J02