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作 者:耿朔[1] Geng Shuo
机构地区:[1]中央美术学院人文学院
出 处:《故宫博物院院刊》2022年第3期13-29,151,共18页Palace Museum Journal
基 金:国家社科基金青年项目《魏晋南北朝陵墓制度新探》(项目编号:19CKG011)阶段性成果。
摘 要:太原北齐武平二年(571)武安王徐显秀墓图像存在数处改动:墓室正壁墓主夫人画像右眼部位的改绘,属于壁画创作过程中的技术性调整;石墓门的两件门扇下方以彩绘神鸟覆盖青龙、白虎浮雕,则显示对原有题材内容和表现手法的完全否定。从技术和礼仪角度对上述改动现象进行分析,可以进一步认识墓葬图像的性质,区分墓室空间与墓道空间的功能差别,揭示丧葬实践与制度条文的差异,并推测出徐显秀墓修建过程较为仓促。There are several modified areas in the images in the chambered-tomb of King Wu’an Xu Xianxiu who was buried in Wu Ping’s 2;year(571) of the Northern-Qi Dynasty. In detail, the modifications are seen on her right eye in the portrait of the tomb master’s wife on the main wall, and the lower part of the stone doors. The former changes are of technique adjustment in painting, the latter is to totally repudiate the past content and pattern of the green-dragon and white-tiger relief with the newly-painted divine birds. Reviewed from the perspectives of skill and etiquette, the modified images are of much significance for a better understanding of the nature of the tomb murals, the differences between the tomb chambers and the passages in function as well as the burial practice and ritual provision. What is analyzed above also suggests that the construction of Xu Xianxiu’s tomb is completed in a very short time.
分 类 号:K879.41[历史地理—考古学及博物馆学] K239.24[历史地理—历史学]
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