接受与反接受:陀思妥耶夫斯基与别雷的思想小说  

Reception and Anti-Reception:On the Ideological Novels of Dostoevsky and Bely

作　　者：管海莹[1] GUAN Haiying(School of Foreign Languages and Cultures,Nanjing Normal University,210000,Nanjing,China)

机构地区：[1]南京师范大学外国语学院,南京210000

出　　处：《北方工业大学学报》2022年第2期111-118,共8页Journal of North China University of Technology

基　　金：国家社会科学基金重点项目“别雷的文学理论与批评研究”(20AWW005)。

摘　　要：陀思妥耶夫斯基的“思想小说”属于一种独特的小说类型,它深刻地影响了20世纪俄罗斯象征主义作家别雷的代表小说的创作。本文选取别雷最重要的“生活创作”认识的形成时期,分析他对陀思妥耶夫斯基思想艺术的接受与反接受之中的角度和结论,进而阐明别雷在自己的创作认识成熟时期由对陀思妥耶夫斯基艺术成就的思考和挑战,转而确立了自己的突破性思想认识和艺术风格,以新“思想小说”的方式回归了前辈大师陀思妥耶夫斯基的俄罗斯命题。Dostoevsky’s“ideological novel”,as a unique novel genre,influences the famous writings of Bely in profound ways,and the latter is considered a representative Russian symbolist in 20th century.Based on Bely’s formative period of his most important idea“life creation”,this article first analyses the perspectives and conclusions of Bely’s reception and anti-reception of Dostoevsky’s thoughts and artistry,and then elaborates Bely’s considerations and challenges of Dostoevsky’s achievements in this mature productive career.By making ideological breakthrough and establishing his own artistic style with a new sort of“ideological novel”,Bely revives Dostoevsky’s Russian theme in novel writing.

关 键 词：别雷 陀思妥耶夫斯基 思想小说 俄罗斯 

分 类 号：I106[文学—世界文学]