隋唐时期敦煌壁画舞伎服饰特点及艺术表现  

Characteristics and artistic performance of Dunhuang murals and dances in the Sui and Tang Dynasties

作　　者：曲小涵 黄欢[1] Qu Xiaohan;Huang Huan(Beijing Institute of Clothing,Beijing 100105)

机构地区：[1]北京服装学院,北京100105

出　　处：《流行色》2022年第3期68-70,共3页Fashion Color

摘　　要：敦煌壁画中无处不在的乐舞形象,充分地体现出表演性舞蹈在隋唐时期的巨大发展。本文分析了壁画中舞蹈形象的服饰特点,将敦煌壁画中出现舞蹈形象的场景分为世俗场景与佛国世界两种场景,分别对这两种场景的舞蹈服饰形制进行了较详细的分类归纳,由此分析壁画中舞蹈服饰的绘画艺术表现,即根据这些服饰图像分析总结敦煌壁画舞蹈人物服饰在绘画语言上的艺术特点,例如写实性、装饰性、夸张性等。The ubiquitous image of music and dance in Dunhuang murals fully reflects the great development of performing dance in the Sui and Tang Dynasties.This paper analyzes the characteristics of the dance image in the murals,the Dunhuang murals in dance image is divided into secular scenes and the world of Buddha two scenes,respectively for the two scenes of dance costume system of the more detailed classification,thus analyzes the murals painting art performance,namely according to the analysis of the Dunhuang murals painting artistic characteristics in painting language,such as realism,decoration,exaggeration,etc.

关 键 词：隋唐时期 敦煌壁画 舞蹈人物服饰 绘画艺术特点 

分 类 号：K87[历史地理—考古学及博物馆学]