间接与直接--色彩语言在西方绘画艺术历史发展中的不同体现  

Indirect and Direct--The different manifestations of color language in the historical development of western painting art

作　　者：刘梅 Liu Mei(School of Fine Arts,Shandong Normal University)

机构地区：[1]山东师范大学美术学院

出　　处：《流行色》2022年第3期115-117,共3页Fashion Color

摘　　要：色彩是绘画本体语言中要素之一。在绘画艺术演变的过程中,色彩的语言秩序有着自身的演变特点。从中世纪到文艺复兴时期,艺术家们对色彩在绘画艺术中的间接画法,再到巴洛克艺术时期,鲁本斯发明了“一次过”的技法,再到现代艺术时期,更多艺术家关注的是对色彩的表现性、观念性等问题。在今天,对绘画艺术色彩的研究有助于系统理解色彩在绘画艺术中的作用。Color is one of the elements of painting ontology language.In the process of painting art evolution,the language order of color has its own evolution characteristics.From the Middle Ages to the Renaissance,artists’indirect painting of color in painting art,and then to the Baroque art period,Rubens invented the technique of“one pass”,and then to the modern art period,more artists pay attention to the expressiveness and concept of color.Today,the study of painting color is helpful to systematically understand the role of color in painting.

关 键 词：间接画法 固有色 直接画法 调和色 

分 类 号：J20[艺术—美术]