符号三分法下文昌里玉隆万寿宫建筑意境研究  

Research on Architectural Artistic Conception of Yulong Wanshou Palace in Wenchangli under Symbolic Trichotomy

作　　者：沈康 Shen Kang

机构地区：[1]东华理工大学艺术学院

出　　处：《中外建筑》2022年第3期119-122,共4页Chinese & Overseas Architecture

摘　　要：文昌里玉隆万寿宫建筑作为占有空间形式的艺术,在表现外在空间形态的同时,也体现着内在情理与形神的统一。解读玉隆万寿宫建筑意境,势必要探寻建筑符号所指涉的意义。意义以符号传达,符号因表意存在,两者的关系可谓密不可分。在文化交融碰撞中,皮尔斯的符号三分理论为洞悉建筑意境提供了独特的视角。以皮尔斯符号学理论中的对象三分法为切入点,运用符号的像似、指示、规约三种逐步递进的关系特性探析文昌里玉隆万寿宫建筑的物、人、神三境,为传承和发展建筑文化提供些许展望。As an art of occupying space, the architecture of Yulong Wanshou Palace in Wenchangli embodies the unity of internal reason and form and spirit as well as the expression of external space form. To interpret the architectural conception of Yulong Wanshou Palace,it is necessary to explore the meaning of architectural symbols. Meaning is conveyed by symbols, which are inseparable because of their ideographic existence. In cultural integration and collision, Pierce’s symbolic trichotomy provides a unique perspective for understanding the artistic conception of architecture. In this paper, the trichotomy of symbols is taken as the breakthrough point, and the three progressive relationship characteristics of symbols such as icon, index and symbol are used to analyze the three environments of objects,people and gods in the architecture of Yulong Wanshou Palace in Wenchangli, providing some prospects for the inheritance and development of architectural culture.

关 键 词：皮尔斯 符号三分法 文昌里玉隆万寿宫 建筑艺术 意境 

分 类 号：TU-80[艺术—艺术设计]