女性写作与左翼新女性的心灵地形——艾霞电影小说《现代一女性》解读  

Female Writing and Mind Topography of the Left-Wing New Women: A Close Reading of Ai Xia’s Cinematic-Novel Modern Girl

作　　者：杨弋枢 YANG Yi-shu(Shanghai Film Academy,Shanghai University,Shanghai 200072,China)

机构地区：[1]上海大学上海电影学院,上海200072

出　　处：《妇女研究论丛》2022年第2期85-93,共9页Journal of Chinese Women＇s Studies

摘　　要：艾霞的电影小说《现代一女性》写作于“新女性”被重新定义的20世纪30年代,也是“五四”新女性主体性被左翼新女性取代的时期。本文从细读电影小说《现代一女性》开始,阐述女性作家写作中偏爱使用的词语中包含的文化内涵、女性表达如何被主流话语误读和改用、女性写作如何从主体性写作被置换为需要被改造的弱者位置以及女性写作呈现的精神空间并未被真正认识的历史状况。知识女性失去新女性主体身份是一系列左翼话语建构的结果,艾霞事件和她的作品作为一个特殊的复合文献,从中可以看到左翼意识形态建构过程中遗留的缝合痕迹,也可以看到女性解放历程中非整一的个体的努力。Ai Xia’s cinematic-novel Modern Girl was written in the 1930 s when new women was redefined, and it was also a period when the subjectivity of new women was replaced from the May Fourth New Women to the new left-wing women.Beginning with close reading of Modern Girl,this paper expounds the cultural connotations contained in the words that women writers prefer to use and how women’s expressions are misinterpreted and repurposed by mainstream discourse, furthermore, how intellectual women have been replaced from subjective position to a weak position that need to be transformed, and also the historical situation that the spiritual value presented by women’s writing has not been truly recognized.The loss of intellectual women’s new female subject identity is the result of a series of left-wing discourse constructions.The Ai Xia’s suicide incident along with her works are a special composite document, from which we can find the stitching traces left in the process of left-wing ideological construction, as well as women’s efforts of non-integrated individuals in the process of liberation.

关 键 词：左翼 新女性 女性书写 

分 类 号：I206.6[文学—中国文学]