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作 者:简圣宇 Jian Shengyu
出 处:《南京社会科学》2022年第3期127-136,共10页Nanjing Journal of Social Sciences
基 金:国家社科基金一般项目“中国传统意象理论的现代阐释研究”(20BZX131)的阶段性成果。
摘 要:中国传统意象范畴具有"概念间性"特征。"意象"一词经过长时间的发展,已非单个概念而演化为一个具有家族相似性的概念群。"万物关联"观念使得中国传统审美思维具有其深层内涵和独特韵味,这反映在意象理论上即是单个具体概念包含着一整套关于信仰、趣味、天地秩序、人物品藻等在内的立体、多层面的审美观念形态。当代学界在使用术语概念去重新理解和阐释从古代流传下来的意象范畴时,需要考虑其在语言学层面的独特构词形态,并且联系到相关词汇构造所涉及到的思想史因素,以历史、辩证的态度审视意象范畴的"概念间性"特征及其观念基础,理解中国审美所推崇的立体性、整体性、关联性的认知模式。我们需要借助当代学科观念对中国传统美学开展"再阐释"和优化升级工作,力求用"中国话语"去阐释"中国思维",进而构建起具备参与全球美学对话实力的当代中国美学理论。The Chinese traditional Yixiang(Yi-image)category has“inter-conceptuality”characteristics.After a long period of development,the term Yixiang(Yi-image)has gradually evolved from a single concept to a concept group with family similarity.The concept of“All-things-connected”gives Chinese traditional aesthetic thinking its deep connotation and unique charm.This is reflected in Yixiang(Yi-image)theory,that is,a single specific concept contains a whole set of three-dimensional and multi-level aesthetic concepts including belief,taste,order of heaven and earth,and evaluation of human personality.In using the concept of terminology to reinterpret the Yixiang(Yi-image)category handed down from ancient times,contemporary scholarship needs to consider its unique word structure from a linguistic perspective,and then consider the ideological history behind this lexical construction.In this way,it is possible to examine the“inter-conceptuality”of the imagery category and its conceptual basis in a historical and dialectical manner,and to understand the three-dimensional,holistic,and correlative cognitive model that the Chinese people have promoted in their aesthetics.We need to“reinterpret”and upgrade traditional Chinese aesthetics with the help of contemporary disciplinary concepts,so as to interpret“Chinese thinking”with“Chinese discourse”and propose a contemporary Chinese aesthetic theory that has the strength to participate in global aesthetic dialogues.
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