民国美术批评家李宝泉研究  

A Study on Li Baoquan,an Art Critic in the Republic of China

作　　者：司开国 Si Kaiguo

机构地区：[1]绍兴文理学院艺术学院

出　　处：《美术》2022年第4期103-107,114,共6页Art Magazine

基　　金：国家社科基金艺术学项目“中国美术的现代转型与民族性:民国美展研究”(批准号:15BF070)成果

摘　　要：本文以民国美术批评家李宝泉为主要研究对象,包括其国内和国外教育背景,上海、南京两地职业经历,以及从回国之初的“艺术至上主义”到抗战时期“国家至上、民族至上”美术批评观的转变等方面,考察李宝泉的美术批评成就及其在现代美术史上的意义。This research takes Li Baoquan,an art critic in the Republic of China,as its main object,covering his education received in and outside of China,his occupational experiences in Shanghai and Nanjing,and his transformation from an art-oriented artist when he just returned to China to a country-and nation-oriented artist during the War of Resistance Against Japanese Aggression.Li Baoquan’s achievements in art criticism and his significance in modern art history are reviewed.

关 键 词：李宝泉 艺术至上主义 国家至上 民族至上 

分 类 号：J209[艺术—美术]