对女性的人文关怀--电影《相爱相亲》的症候式分析  

Women’s Self-cultivation:Symptomatic Viewing of Love Education

作　　者：赵晓菲 ZHAO Xiao-fei(College of literature,Nanning Normal University,Nanning Guangxi 530299,China)

机构地区：[1]南宁师范大学文学院,广西南宁530299

出　　处：《延安职业技术学院学报》2022年第1期81-85,共5页Journal of Yan’an Vocational & Technical College

摘　　要：伴随着女性主义文化在当代社会的普及和深入,将女性群体作为关注对象的电影越来越多地出现在当代受众的视野。《相爱相亲》是台湾导演张艾嘉结合当代女性生存现实创作的女性题材作品,该影片将镜头对准三代女性的爱情、婚姻和家庭观念冲突,延续了张艾嘉一直以来对女性的关注与表现重点:情感表达与女性主体意识的呈现。采用症候式分析法介入电影《相爱相亲》,对电影文本进行深入挖掘,可以发现影片通过对不同女性角色的塑造体现了多层面的女性意识,利用红色物象隐喻女性的自我发现、探索和确认,同时,诗意呈现出和谐而温情的女性人文关怀。With the popularity and deepening of feminist culture in contemporary society,more and more films focusing on women appear in the contemporary public’s vision is a female theme work created by Taiwan director Zhang Aijia in combination with the reality of contemporary women’s survival.The film focuses on the conflict of love,marriage and family ideas of three generations of women,and continues Zhang Aijia’s focus on women:emotional expression and the presentation of women's subject consciousness.Through the shaping of women’s roles,the film reflects multi-level women’s consciousness,uses red images to metaphor women’s self discovery,exploration and confirmation,and poetically presents harmonious and warm female care.

关 键 词：《相爱相亲》 症候式分析 女性主义 人文关怀 主体意识 

分 类 号：J905[艺术—电影电视艺术]