现实主义文学“真实性”重释--从陈彦“舞台三部曲”论起  

Reinterpretation of Realistic Literature’s Authenticity:Taking Chen Yan’s“Stage Trilogy”as an Example

作　　者：赵书豪 Zhao Shuhao(School of Humanities,Kashi University,Kashi,Xinjiang 844000,China)

机构地区：[1]喀什大学人文学院,新疆喀什844000

出　　处：《湖北工程学院学报》2022年第2期55-62,共8页Journal of Hubei Engineering University

基　　金：喀什大学研究生科研创新项目(2021KRY008)。

摘　　要：新时期以来,“真实性”作为现实主义三大话语成规之一引起了争议,现实主义“真实性”的伪问题性提出导致整个文学创作的真实性讨论。然现实主义“真实性”的伪化是一种强化其存在且具有科学气质的证伪,由此现实主义文学“真实性”能够超越原初的“镜像说”、情理说以及意识形态胶着说向前发展。观照当下的文学创作,“真实性”的源生可概括为三个维度--哲学意义上的集物质与暗物质、可意识与不可意识于一体的存在真实,从存在真实中抽离出来合社会活动逻辑被赋予符号的话语真实,通过思辨想象力超越话语表征具有审美情感自足性的精神真实。现实主义文学“真实性”是以上三种真实的统合。Since the new times of literature,as one of the three subjects of realistic literature,realistic literature’s authenticity has aroused an argument,and along with the proposition that realistic literature’s authenticity is pseudo,the discussion about authenticity with regards to all literary creation has been started.Nevertheless,the doubt about realistic literature’s authenticity is in reality is a process of falsification,which triggers the development of discussion about realistic literature’s authenticity which has surpassed the original views of mirror image,reason and sense,and combination of ideology.In view of the current realistic literature creation,the sources of realistic literature’s authenticity can be summarized into three dimensions.One is the existence authenticity of unification of matter with dark matter and consciousness with unconsciousness in philosophical sense.The second is utterance authenticity which are extracted from existence authenticity in accord with logic of social activities and endowed with symbol.The third is spirit authenticity with aesthetic self sufficiency which surpass discourse representation by the imagination of critical thinking.Realistic literature’s authenticity is a combination of all the three.

关 键 词：现实主义 存在真实 话语真实 精神真实 “舞台三部曲” 

分 类 号：I206.6[文学—中国文学]