复调技法应用于民歌创编实例探析——以《中外民歌钢琴曲集》为例  

The Application of Polyphonic Techniques in the Creation of Folk Songs——A Case Study of Piano Collection of Chinese and Foreign Folk Songs

作　　者：史桂丽 Shi Guili(School of Music,Heihe University,Heihe 164300,China)

机构地区：[1]黑河学院音乐学院,黑龙江黑河164300

出　　处：《黑河学院学报》2022年第3期146-148,共3页Journal of Heihe University

基　　金：2022年度黑龙江省教育规划重点课题“新文科建设视域下地方民间音乐二度创作融入作曲技术理论教学的实证研究”(GJB1422644)。

摘　　要：20世纪初,西方复调音乐理论开始对中国专业音乐创作、教学和研究产生影响。经过几代音乐教育家和作曲家的努力,他们创编了大量具有多样性复调技法的音乐作品集,这些作品不仅证明了我国作曲家运用复调技术创作的高超能力,同时也为高等音乐教育作曲技术理论课程提供了丰富的创编实例。本文以上海音乐学院教授、博士生导师林华先生创编的《中外民歌钢琴曲集》为分析对象,剖析其典型复调技法在织体创编中的应用。In the early 20th century,western polyphonic music theory began to exert an impact on professional music creation,teaching and research in China.Through the efforts of several generations of music educators and composers,they have created a large number of music works with diverse polyphonic techniques.These works not only prove Chinese composers’excellent ability of using polyphonic techniques,but also provide rich examples for the theoretical courses of composition technology in higher music education.By making a case study on Piano Collection of Chinese and Foreign Folk Songs compiled by Lin Hua,professor and doctoral supervisor of Shanghai Conservatory of Music,this paper analyzes the application of polyphonic techniques in the creation of folk songs.

关 键 词：复调技法 民歌创编 《中外民歌钢琴曲集》 

分 类 号：J624[艺术—音乐]