中国现当代歌剧的创作背景及艺术特征——以《再别康桥》为例  

A Study on the Creative Background and Artistic Features of Chinese Modern and Contemporary Opera——Taking Farewell to Cambridge as An Example

作　　者：聂晓琳 Nie Xiaolin(Liaoning University of International Business and Economics,Dalian 116052,China)

机构地区：[1]辽宁对外经贸学院,辽宁大连116052

出　　处：《黑河学院学报》2022年第2期170-172,共3页Journal of Heihe University

基　　金：辽宁对外经贸学院校级科研课题“中国声乐的传承与创新研究——以雷佳民族民间歌曲音乐会为例”(2020XJLXYB01)。

摘　　要：《再别康桥》作为近代中国首部国内执导、编剧、创作的小剧场音乐剧,对中国近代小剧场歌剧而言有着非常重要的意义。周雪石教授在该剧的创作基础上进行编曲创作,在充分凸显原作的文学性与故事性的基础上又合理鉴了西方歌剧的所长之处。通过分析其创作背景和艺术特征,探讨其对中国歌剧发展方向的启示。Farewell to Cambridge is the first small theater musical which is directed,written and created in modern China,which is of great significance to the development of small theater opera.Professor Zhou Xueshi arranges and creates the music on the basis of the works,and reasonably learns the merits of the Western opera while fully highlighting the literariness and story nature of the original works.This article analyzes its creative background and artistic characteristics,and explores the development direction of Chinese opera.

关 键 词：再别康桥 小剧场歌剧 创作背景 艺术特征 

分 类 号：J616[艺术—音乐]