试论自况性长篇小说中心人物对应形象的设置  

On the Setting of the Corresponding Image of the Characters in the Self-Metaphorical Novels

作　　者：王进驹[1] 蔡瑜清 WANG Jinju;CAI Yuqing

机构地区：[1]暨南大学文学院

出　　处：《暨南学报（哲学社会科学版）》2022年第3期78-89,共12页Jinan Journal(Philosophy and Social Sciences)

摘　　要：清代部分自况性长篇小说为作为主人公的自况人物设置了一个对应形象,这一形象或以作者的亲友为原型,或由作者本人的某些经历和思想欲求生发。自况人物与对应形象之间或呈异构性或呈同构性或两者兼具,形成对比衬托和映照互补,有利于更鲜明地刻画人物,表现作者多层面的思想内涵和性格质素,并起到安排结构和组织故事的作用。这种创作特征反映了自况性长篇小说的某种艺术共性,体现出对中国古代小说人物创造的新探索,显示了小说发展的新趋向,也折射出清代中后期文人对其所处社会与人生困境的回应。In the Qing Dynasty, some self-metaphorical novels set a corresponding image for the self-metaphorical character of the protagonist. This image is based on the author’s relatives or friends, or on the author’s own experience and thoughts. Such self-metaphorical characters and corresponding images are either heterogeneous or isomorphic or both, contrasting as well as complementary, which is conducive to portraying the characters more vividly and expressing the author’s multi-layered ideological connotation and character quality. Meanwhile, it helps arrange structures and organize stories. This creative feature reflects a certain artistic commonality of self-metaphorical novels and shows a new exploration of the creation of characters in Chinese ancient novels.

关 键 词：自况小说 中心人物 对应形象 原型 

分 类 号：I207.41[文学—中国文学]