论詹姆斯在《贵妇人画像》中先破后立的父权解构策略  

From Deconstruction to Reconstruction:Henry James′ Deconstructive Strategy of Patriarchy in The Portrait of a Lady

作　　者：王春飞 于元元[1] WANG Chun-fei;YU Yuan-yuan(School of Foreign Studies,Anhui University,Hefei Anhui 230601)

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《巢湖学院学报》2022年第1期140-145,共6页Journal of Chaohu University

基　　金：教育部一般项目(项目编号:20YJA752017)。

摘　　要：从德里达的解构主义出发,结合“雌雄同体”概念,对亨利·詹姆斯的著名长篇小说《贵妇人画像》进行再解读,旨在探讨詹姆斯对性别二元对立思想的批判和颠覆。通过文本细读,分析詹姆斯在该作品中体现出的父权解构思想及策略。在其名作《贵妇人画像》中,詹姆斯采取了先破后立的父权解构策略,从颠覆传统男女形象和性别二元对立思想着手,一步步打破男尊女卑的传统,塑造双性气质的理想女性,从而试图构建男女和谐共存的美好社会愿景,弘扬男女平等的性别文化。The study applies Derrida′s deconstructive theory and the concept of "androgyny" to reinterpret The Portrait of a Lady written by Henry James,in order to study James′ deconstruction of binary gender opposition.Through concrete textual analysis,it reveals James′ deconstructive strategy for patriarchy.With a strategy of deconstruction before reconstruction,Henry James broke the patriarchal tradition that women are inferior to men to create androgynous women characters by subverting the traditional images of men and women as well as binary gender opposition.In this way,James expressed his wish to reconstruct a harmonious society where men and women coexist happily,and so promoted the equality between men and women.

关 键 词：《贵妇人画像》 解构 父权 二元对立 双性气质 

分 类 号：I106.4[文学—世界文学]