当代女性主义戏剧中的超现实派对  

Surreal Parties in Contemporary Feminist Plays

作　　者：张亚婷[1] ZHANG Ya-ting(School of International Studies, Shaanxi Normal University, Xi'an, Shaanxi 710062)

机构地区：[1]陕西师范大学外国语学院,陕西西安710062

出　　处：《江南大学学报（人文社会科学版）》2022年第2期99-108,共10页Journal of Jiangnan University：Humanities & Social Sciences Edition

摘　　要：英国剧作家卡瑞·丘吉尔和美国作家苏珊·桑塔格分别在《天之骄女》和《床上的爱丽斯》中描述了超现实派对。文章以参与派对的女性和物体、派对主题和舞台表演为切入点进行对比分析。研究显示,丘吉尔和桑塔格构建的超现实派对颠覆了线性的男性时间话语,打破了文学和非文学边界,通过时空压缩法重访历史,在展示差异中寻求类像,形成横贯东西、跨越时空的女性共同体,表现了对无边界的女性主义的肯定和对女性生存现状的关注。The British playwright Caryl Churchill and the American writer Susan Sontag have portrayed the surreal parties respectively in Top Girls and Alice in Bed.This paper aims to make a comparative study in terms of women and things,party themes and stage performance.As is shown,the surreal parties depicted by Churchill and Sontag have subverted the linearity of man's discourse on time and blurred the boundary between literature and non-literature.They have revisited history by means of the compression of time and space and sought simulacrum,which contributes to the construction of a female community across the time and space,confirmed the boundless feminism and showed concern for the current existence of women.

关 键 词：超现实派对 《天之骄女》 《床上的爱丽斯》 历史重访 

分 类 号：I106.3[文学—世界文学]