文艺思潮衍变下的中国当代舞剧  

Chinese Contemporary Dance Drama Under the Change of the Trend of Thought in Literature and Arts

作　　者：慕羽[1] Mu Yu(Beijing Dance Academy,Beijing,100081)

机构地区：[1]北京舞蹈学院,北京100081

出　　处：《民族艺术研究》2022年第2期114-122,共9页Ethnic Art Studies

基　　金：2019年度国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949—2019)”(项目批准号:19ZD17)之子课题“当代中国舞剧的发展态势与正向引导研究”的阶段性研究成果。

摘　　要：中国当代舞剧创作思潮体现为现实主义、现代主义、后现代主义思潮的混融,形成了审美“当代性”认知上的多元。从“传统现实主义”到“新现实主义”贯穿着一根红线,几代编导的守正与创新,是“当代中国舞风”舞剧形成和不断更新最重要的根据。近年,后现代特色的中国当代舞剧也与国际当代美学进行了观念和形态上的对话。“当代”中国舞剧创作思潮的多元共生,恰是对丰富人民的美好生活,促进社会文化和谐正向作用的彰显。The trend of thought of the creation of Chinese contemporary dance drama can be seen as a fusion of realism, modernism, and postmodernism, which forms diversity in the understanding of “contemporaneity” of aesthetics. There is a red line from “traditional realism” to “neo-realism”, reflecting the insistence and innovation of several generational editors, which is the most importance basis of the forming and change of the “contemporary Chinese dance style” dance drama. In recent years, Chinese contemporary dance drama with postmodern characteristic began communication with the international contemporary aesthetics in terms of concept and form. The diversity and co-existence of the trend of thought of the creation of “contemporary” Chinese dance drama can be seen as reflection of people’s expectation for better life as well as harmonious and positive social cultural development.

关 键 词：中国舞剧 创作思潮 现实主义 新现实主义 现代主义 后现代主义 

分 类 号：J720.9[艺术—舞蹈]