帕穆克《红发女人》的柔性流散美学:女性视角、文化融合与政治书写  

Female Perspective,Cultural Engagement and Political Writing:Feminine Diaspora Aesthetics in Orhan Pamuk’s The Red-Haired Woman

作　　者：林国浒 LIN Guohu(School of Foreign Languages and Literature, Hangzhou Dianzi University, Hangzhou 310018, China)

机构地区：[1]杭州电子科技大学外国语学院,浙江杭州310018

出　　处：《中北大学学报（社会科学版）》2022年第3期107-112,共6页Journal of North University of China：Social Science Edition

摘　　要：帕慕克的小说《红发女人》以隐喻的方式呈现潜藏于土耳其父权体制下的柔性文化,包含女性觉醒、世俗倾向、文化兼容、环境关怀等,与其安身立命的政治书写共同形成独特的柔性流散美学,是土耳其多元文化在传统与现代、东方与西方、宗教与世俗之间不断冲突融合的产物,也是作家基于自身流散经历、政治观察及文化反思的结果,为现代土耳其的文明演进、政治走向、文化政策提供选择方案。Orhan Pamuk’s novel The Red-Haired Woman uses metaphorical methods to present feminine cultures which are hidden under the Turkish patriarchal system,including female awakening,secular tendencies,cultural compatibility,environmental care,etc.These feminine cultures and his political writings form Pamuk’s feminine diaspora aesthetics.This aesthetics is shaped under the influences of multiple cultures existed in Turkey and Pamuk’s diasporic experiences,political observations and cultural reflections provide ways for the development of modern Turkey’s civilization,politics and cultures.

关 键 词：流散美学 柔性文化 政治书写 帕穆克 《红发女人》 

分 类 号：I106[文学—世界文学]