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作 者:刘大泯 刘炳麟 LIU Da-min;LIU Bing-lin(Guizhou Institute of Minority Education,Guizhou Education University,Guiyang,Guizhou,550018)
机构地区:[1]贵州师范学院贵州民族教育研究院,贵州贵阳550018
出 处:《贵州师范学院学报》2022年第4期49-56,共8页Journal of Guizhou Education University
摘 要:农民画是劳动人民文化与智慧的结晶,贵州农民画是丰富乡土文化的充分体现。随着当前城镇化进程的加快和贵州的跨越式发展战略,贵州农民画面临传承人青黄不接、农民画知名度不高、宣传力度不够等诸多困难,保护问题严峻。选取黔东南、黔南、毕节、六盘水四个市州五个县市区村寨,具体梳理了贵州农民画创作的现状和存在困难,从农民画的自身传承与发展、传播的方式和手段、如何对接市场、传承人培育和延长农民画全方位产业链等五个方面提出对策建议。Farmer's painting is the crystallization of the culture and wisdom of the working people,and Guizhou farmers'paintings fully embody rich local culture.With the acceleration of the current urbanization process and the leapfrog development strategy of Guizhou,Guizhou farmers'paintings are faced with many difficulties,such as shortage of inheritors,low visibility of the paintings,insufficient publicity,and lack of effective measures for protection.With the farmers'paintings selected from the villages in Qiandongnan,Qiannan,Bijie and Liupanshui,we analyze the current situation and difficulties of Guizhou farmers'painting creation,and put forward some countermeasures and suggestions,concerning five aspects such as the inheritance and development of farmers'paintings,the ways and means of communication,the approaches to marketing channel,inheritors’training,and extending the all-round industrial chain of farmers'painting.
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