中国现代主义小说心理空间的精神展露  

The Spiritual Revelation of Psychological Space in Chinese Modernist Novels

作　　者：王萍[1,2] WANG Ping

机构地区：[1]洛阳师范学院文学院,河南洛阳471934 [2]北京大学中文系,北京100871

出　　处：《海峡人文学刊》2022年第1期34-41,156,共9页Journal of Humanities Across the Straits

基　　金：河南省哲学社会科学规划项目“中国现代小说文体生成研究”(2021BWX022);洛阳师范学院培育基金项目“中国现代小说文体的多元审美建构研究”(PYJJ-2019-015)。

摘　　要：在中国现代主义小说中,创作主体运用多样化的现代艺术方法去映射人物的心理空间,展露其内在的精神诉求。面对现代都市社会风景,人物会因场景触点而生发种种幻象,且二者始终交织与并进;当然,因生存空间的移动和变换,人物的物质欲求与精神欲求会产生强烈碰撞,一旦这种双重内驱力发生失衡与分离,他们往往通过亲情等手段进行调和或填充心理空间。无论是生成幻象还是掠取亲情,皆旨在补阙其心理空间的精神满足,从而将更深层次的人生意蕴赋予其中。In Chinese modernist novels, the writers use diversified modern art methods to mirror the characters’ psychological space and reveal their internal spiritual demands. Facing the modern urban social landscape, characters will produce various illusions due to scene contact, and they always interweave and parallel;meanwhile, due to the movement and transformation of characters’ living space, material desire and spiritual desire will collide strongly, once this dual internal drive is out of balance and separated, they often reconcile and fill their psychological space through seizing family affection and other ways. Whether producing illusion or seizing family affection, it aims to supplement the spiritual satisfaction of their psychological space, so as to endow deeper implications of life.

关 键 词：心理空间 幻象 双重欲求 亲情 精神展露 

分 类 号：I207.4[文学—中国文学]