殖民之殇:“皇民化剧”在台湾(1937~1945)  

The "Kominka Drama" in Taiwan(1937~1945)

作　　者：刘丽 Liu Li

机构地区：[1]闽南师范大学闽南文化研究院,福建漳州363401

出　　处：《闽台文化研究》2022年第1期68-75,共8页Fujian-Taiwan Cultural Research

基　　金：教育部青年基金项目:“20世纪台湾戏剧思潮研究(20YJC760058)”。

摘　　要：日据时期,与其殖民扩张和统治相呼应,日本殖民者在台湾倡导新剧,“皇民化剧”(1937~1945)与“皇民化运动”共生灭,利用文本叙事“建构”台湾的方式蒙蔽大众,确保日本文本话语的霸权统治地位,给台湾民众带来沉重的心灵阴影和严重的精神创伤。审视日本文化殖民主义的本质、危害和影响,以期在求同存异的文化共识下,进一步深化两岸戏剧研究。During the period of Japanese colonization of Taiwan,the birth and death of "The Kominka Drama"(1937~1945) was closely related to the rise and fall of "The Kominka Movement".Echoing its colonial expansion and rule,the Japanese colonists advocated new dramas to demonize Chinese traditional operas to ensure the hegemonic dominance of Japanese discourse which brought heavy spiritual shadow and serious spiritual trauma to the people of Taiwan.Through the reflection on the nature of cultural colonialism,this paper criticizes the harmful influence of Japanese cultural colonialism,and deepens the study of cross-strait drama under the cultural consensus of seeking common ground while reserving differences.

关 键 词：日据时期 台湾 “皇民化剧” 同化模式 殖民本质 

分 类 号：J809.1[艺术—戏剧戏曲] K265[历史地理—历史学]