唐小说“人鬼之辨”叙事构型及艺术思想新变  

Virtual Image Construction and Ghost Story Writing in Novels of Tang Dynasty

作　　者：隋雪纯 SUI Xuechun(Department of Chinese Language and Literature, Peking University, Beijing 100871, China)

机构地区：[1]北京大学中文系,北京100871

出　　处：《东莞理工学院学报》2022年第2期16-25,共10页Journal of Dongguan University of Technology

摘　　要：唐小说虚拟形象叙事构型意蕴丰赡,以“鬼”的塑造为例,“人鬼之辨”意识承自上古神话和《诗经》《楚辞》,受到魏晋志怪的直接影响;“人鬼之辨”观念充分渗透在唐小说的组织和行文中,形成“人”“鬼”之间特定的区分方式和概念域,对唐小说的情节类型、人物塑造和叙事模式特点形成具有重要影响;唐小说“鬼”故事书写在创作意识的寓言化、诗意化和审美化等方面实现了发展,反映出唐代士人精神世界中纪实、虚构理念的碰撞,以及伦理秩序规制与个体生命诉求的动态消长。The narrative configuration of Tang novels is rich.with the shaping of the“ghost”for example,the consciousness of“the distinction of humans and ghosts”is inherited from ancient myths and the Book of Songs and The Songs of Chu,and is directly influenced by novels in Wei Jin Southern and Northern Dynasties;the concept has fully permeated the organization and writing of the novel,which forms a specific way of distinguishing between“person”and“ghost”and conceptual domain.This conception also has an important influence on the formation of the plot type,character creation and narrative mode of novels of Tang Dynasty.The writing of“ghost”stories in Tang Dynasty novels has achieved development in the allegorization,poeticization and aestheticization of creative consciousness,reflecting the collision of documentary and fictional concepts in the spiritual world of scholars in the Tang Dynasty,as well as the dynamic ebb and flow of ethical order regulations and individual life demands.

关 键 词：唐代 文言小说 非写实文学 鬼 

分 类 号：I206.2[文学—中国文学]